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ZiiGaat Crescent Review

The ZiiGaat Crescent is a Hybrid IEM with a unique analog-inspired sound signature, exceptional sub-bass, and comfortable design.
ZiiGaat Crescent Review

Disclosure: I’d like to thank Linsoul for providing me with the ZiiGaat Crescent for this review. All thoughts and opinions are my own, and Linsoul had no say or input on the contents of this review.

The ZiiGaat Crescent caught my attention in ways I didn’t expect from a $280 USD hybrid IEM. After listening to them for the past month, I found myself reaching for them more often than several other options in my collection. There’s something distinctly analog about their presentation that feels almost nostalgic, like listening to a well-maintained vintage tube amplifier, complete with that warm, musical character that digital sources sometimes struggle to capture.

What makes the Crescent particularly interesting is its four-driver hybrid configuration. ZiiGaat paired two dynamic drivers with two balanced armature units, each handling specific frequency ranges to create what they describe as a “distinct sound texture”. The execution here surprised me more than the concept itself, as hybrid designs aren’t uncommon at this price point, but the way ZiiGaat tuned these drivers feels genuinely different.

The sound signature centers around a sub-bass that creates focused low-end impact without bleeding into the midrange. Meanwhile, the midrange maintains what I’d call a velvety quality. It’s smooth yet detailed enough to keep vocals engaging. Despite following a V-shaped tuning that occasionally leans toward U-shaped territory, both the upper and lower registers extend well beyond what you’d typically expect.

This review will cover my experiences with the Crescent’s build quality, comfort during extended sessions, and most importantly, how that unique sound signature performs across different genres and listening scenarios. The $279 price tag puts it in direct competition with some well-regarded options, so let’s see if ZiiGaat managed to create something worth considering for your IEM rotation.

Key Specifications

  • Product Page: https://www.ziigaat.com/products/ziigaat-crescent
  • MSRP: $279 USD
  • Type: IEM (in-ear monitor)
  • Driver Type: 1x 10mm PET Dynamic Driver (DD), 1x 10mm LCP Dynamic Driver (DD), 1 x Knowles 30262-163 Balanced Armature (BA) driver, 1 x Knowles 33518 Balanced Armature (BA) driver
  • Impedance: 12 ohms
  • Sensitivity: 102 dB SPL
  • Weight: 5.3 grams per earbud
  • Connection: 0.78mm 2-pin connector
  • Detachable Cable: Yes

In the Box and Unboxing

  • ZiiGaat Crescent
  • 6 sets of silicone ear tips (S/M/L, black and transparent)
  • 1.25m High-purity braided audio cable, modular termination
  • Premium zipper carrying case
  • 3.5mm adapter
  • 4.4mm adapter
  • Manual

The accessory package is comprehensive, featuring six pairs of silicone ear tips in different sizes plus foam options. This variety helps fine-tune both comfort and sound signature since different tips can subtly alter the frequency response. The included carrying case provides solid protection with enough room for the IEMs, cable, and a few extra accessories. It’s not the most compact case I’ve seen, but it gets the job done and feels well-made.

The cable here deserves mention as well. ZiiGaat includes a braided silver-plated oxygen-free copper cable that feels substantial without being unwieldy. The interchangeable termination system is genuinely useful as you get both 3.5mm single-ended and 4.4mm balanced connections that swap easily, though I wish there was a way to secure them instead of a push-and-pull system.

Design & Comfort

ZiiGaat put considerable thought into the Crescent’s physical construction, and it shows. The shells use 3D-printed resin made from medical-grade materials, which creates a solid yet lightweight build that doesn’t feel cheap in your hands. What caught my eye immediately was the faceplate design with hand-poured galaxy-inspired aesthetics with iridescent speckles against a deep black background. The effect shifts depending on the lighting angle, giving them a premium appearance that stands out from the typical black or clear shells you see everywhere.

The ergonomics work well for extended listening sessions. During my testing period, I found the contoured shape fits naturally without creating pressure points. Just note that the nozzles are slightly wider than average, so if you have smaller ear canals like I do, you might need to experiment with the included ear tips to find the right fit.

Comfort is solid overall. The shells sit securely without shifting during movement, making them suitable for commuting or general daily use. Passive noise isolation performs better than I expected, given that the nozzles aren’t particularly deep. They block enough ambient noise to make the Crescent usable on public transport or in moderately noisy environments.

Sound Quality

Sources used for this review:

  • FiiO M21
  • Surfans F28
  • Shanling M1 Plus

Links to my music playlist used for the majority of testing:

Spotify: https://open.spotify.com/playlist/6QSIhuCBDAUyoWGcyxPeN8?si=c0a4eb6bd3e3421e

Apple Music: https://music.apple.com/ca/playlist/hifi-oasis-audio-testing/pl.u-lKWlcjy04xp

Tidal: https://tidal.com/playlist/503485c7-7f3d-43f0-b904-4b9a89c33875

The tuning follows ZiiGaat’s house sound with focused bass impact without the typical bleeding that affects vocal clarity. The midrange stays relatively neutral, allowing instruments and vocals to maintain their natural timbre.

The ZiiGaat Crescent is generally easy to drive, but I found that with better amplification, there was a slightly fuller sound and more prominent sub-bass rumble. If you are using a simple dongle DAC or low-output DAP, though, do not worry that you are missing out on anything, they will drive the Crescent just fine.

Most listeners will hear this as a mild V-shape, though some describe it as edging toward U-shaped territory. Either way, both ends of the frequency spectrum extend well, covering the full range without obvious roll-offs that plague some hybrids.

Genre compatibility varies more than I initially expected. Electronic music benefits tremendously from the extended sub-bass and punchy dynamics. Rock and metal showcase the Crescent’s ability to handle dynamic contrasts, especially with electric guitars that cut through the mix nicely. Jazz recordings highlight the natural timbre, though some brass instruments can sound slightly sharp at times.

Classical music reveals both strengths and limitations as the excellent soundstage and instrument separation work beautifully for orchestral pieces, but the V-shaped tuning isn’t always ideal for chamber music, where you want a more neutral perspective.

Bass

The sub-bass implementation here really is something special. The mid-bass translates into a physical impact that you can actually feel, especially with electronic music and film soundtracks. The bass stays controlled and focused without bleeding into the midrange, which means you get that satisfying thump without sacrificing vocal clarity. The isobaric driver configuration creates what I’d describe as a uniquely textured low-end, with bass notes that feel substantial and present rather than just audible.

Testing with demanding tracks like Massive Attack’s “Angel”, the Crescent maintained composure even when I pushed volume levels higher than I normally do. The bass remains tight and articulate, though it’s worth noting that precision isn’t quite at the level of some dedicated bass-focused IEMs.

Midrange

The midrange sits slightly back in the mix, creating a more relaxed presentation compared to neutral-tuned IEMs. This recession works beautifully with male vocals, especially growly ones like Chris Cornell of Soundgarden and Layne Staley of Alice in Chains. These tracks sound particularly impressive with that natural, gritty texture intact. The Crescent doesn’t try to sanitize or overly smooth these performances.

Female vocals maintain good presence and intelligibility, though I noticed some limitations with particularly energetic singers. PJ Harvey’s more intense vocal passages occasionally seem to hit a ceiling where the midrange driver maxes out, flattening some of the dynamic peaks. It’s not a deal-breaker, but something to be aware of if you listen to a lot of aggressive vocal performances or are just particularly picky.

Treble

The high-frequency performance strikes an interesting balance between sparkle and restraint. Those Knowles tweeters pull out micro-details effectively with cymbal decay trails, string harmonics, and the subtle breath sounds that add life to acoustic recordings, all come through clearly. At moderate listening levels (which is where I spend most of my time anyway), the treble stays well-controlled and fatigue-free.

Push the volume up during particularly energetic rock or metal tracks, though, and things can get a bit hot. The treble has bite and energy, which I generally appreciate, but it’s not for everyone.

Soundstage and Imaging

The spatial presentation exceeded my expectations for a $279 IEM. The soundstage feels genuinely wide with decent height, creating an immersive listening environment that works particularly well with orchestral recordings and live albums. Pink Floyd’s “Wish You Were Here” showcases the Crescent’s ability to create that holographic imaging where instruments feel positioned in specific locations rather than just mixed left or right.

Instrument separation remains clean even with complex, layered recordings. The excellent performance here also makes these surprisingly good for gaming, which I found myself using them regularly with story-driven games where positional accuracy and atmospheric immersion matter more than competitive precision.

Gaming

Speaking of gaming, you can definitely use these for playing games. Due to their V-shaped tuning, they lend themselves more towards single-player immersive games than competitive multiplayer ones, unless you are willing to EQ them to more accurately accentuate footsteps and gunshot sound effects. I really enjoyed using the Crescent with my Switch 2, replaying Breath of the Wild. The game’s soundtrack sounds wonderful, and the general atmosphere and effects within the game are beautifully articulated.

Final Thoughts

The ZiiGaat Crescent spent a fair amount of time in my regular rotation, and I can honestly say it earned its place there. The analog warmth I mentioned at the beginning it’s the real deal and is something that became more apparent the longer I spent with these IEMs. The combination of dual dynamics with those Knowles balanced armatures creates a character that’s genuinely different from most hybrids I’ve tried at this price point.

Many V-shaped IEMs start to wear on you after an hour or two, but these maintained their engaging sound without becoming fatiguing. Since these are not neutral IEMs, you’ll want to know what you’re getting into before buying. The Crescent won’t satisfy bassheads looking for overwhelming low-end or those who prefer clinical accuracy above all else. Instead, it caters to listeners who value musical enjoyment and that slightly warm, engaging presentation that makes long listening sessions a pleasure rather than work.

At $279 USD, the Crescent delivers solid value when you consider the build quality, accessory package, and most importantly, that distinctive sound signature. The spacious soundstage and natural timbre make it particularly enjoyable for genres that benefit from a more relaxed, musical approach. If you connect with its warm-neutral character during your first listen, chances are it’ll become a regular in your rotation.

HiFi Oasis Editor's Choice

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I’m not always able to cover all the details of a product, both hardware and software, in our reviews. If you have any specific questions about this product, please feel free to leave a comment or contact me directly.

Be sure to check out our excellent Buyer’s Guides, as well as our other Reviews.

HiFi Oasis Verdict

HiFi Oasis Verdict
9 10 0 1
  • Design & Comfort
    8/10 Very good
  • Sound
    9/10 Amazing
  • Features/Accessories
    9/10 Amazing
  • Value
    8/10 Very good
9/10
Total Score

Pros

  • Distinctive analog-inspired sound signature
  • Excellent sub-bass shelf implementation without midrange bleed
  • Comfortable for extended listening session
  • Spacious soundstage and natural timbre
  • Quality build with premium accessories
  • Non-fatiguing despite V-shaped tuning

Cons

  • Treble can become hot at higher volumes
  • Not ideal for those seeking neutral tuning
  • Limited appeal for bassheads
  • Some vocals can sound flattened at peaks
Total
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